So when I read imbeciles claiming Columbia used it into the 1980s because some records sound "better" with it, I get a bit crazy (er). Those who have recognized it have shared many wild theories. The aboveexamples of1A 1B and 1C labels (note, always1Aas Side 2) each feature the two line bold album title. Thanks. The 2012 stereo is best forgotten. Close micd saxophones often reveal the sound of the reed vibrating or "buzzing" especially when the sax is played somewhat softly as it is during the heads of So What. 2 sense. None were found 1A,1B or 1C, ( which are found only on the commercial release). 2 of them are friends and the 3rd one is my father-in-law. If the promos were all pressed at Bridgeport, Conn, one of the East Coast jacket manufacturer Imperial Paper Box Corp, Brooklyn (2) or Modern Album Long Island (3) would have supplied the jackets, no? The mono Pepper has always struck me as sort of staid but I'm a stereo guy. The Radio Museum website lists several Hoffman consoles from 1959 which is a plausible year for one of the early stereo "two-box" style consoles. UPDATE 12/08/19: a copy with 1F has been found, with track listing error Side 2 1D/1F with TA etching (Conn. plant). Hence promos are all proven pre 11/59. The suffix -1B is visible on mono Side 1 and seller described both sides 1B/1B. Promo Cover Fabricator (update April 13, 2020). At the beginning or throughout the record. But most importantly, the music experience is complete and organically "whole," making a strong case for the superiority of the mono mix. For more information, please see our Identifiable early pressings are very rare. Nothing is sold at gun point. Early letter-denominated mothers and stampers were used to press further copies with the corrected label for Side 2. Sometimes that works okay but other times not. The basic difference with the stereo masters was that after the same type of process, the stereo masters were pumped up a few DB across the board with Volume Compression. :thmbsp: Monaural Cartridge Miyajima: " Spirit MONO high out-put " p.s. The 81 is the only mono Pepper that impresses me. Condition: Used. (Note however there is potentially contradictory information come to light on manufacture of promo jackets. Three jacket manufacture codes fits with the Columbia distributed manufacture model, and fits with there being three pairs of lacquers in use for the promo one pair to each of Columbias three plants. What happened? Of all the large number of combinations of lacquer pairs, just two stand out as being symetrical: 1D/1D and 1J/1J. Now I'm bummed. I just finished comparing the HD tracks 24/192 wave files with theJapanese SACD and the Legacy vinyl (not the poorly pressed blue vinyl). Your phrasing that mastering did the fold down is incorrect. Kind of Blue on one line or two, in a variety of different fonts. (Model #s B8001, B8005-B8010) Some are listed as 2 chassis units. Ended: Apr 29, 2023 , 5:16PM. 1A/1AE)with the Side 2 track-list error corrected, so stereo lacquer 1A was used only in later pressings, not in any early stereo pressing run. Indispensable, LondonJazz is a not-for profit venture, but may occasionally take on work as a paid publicist and/or sell advertising packages. Those "pre-mixes" were specifically intended to blend together in the end into a single mono track. They should be booted out. The problem is that nobody knows what happened to the mono master tape. The importance of wires, auditioning methods and othertips. Desktop 2.1 speakerrig: Lenovo IdeaCentre A730 Windows 8.1 PCFoobar 2000 /Spotify PremiumFiiO E17 DACFiiO E09K headphone ampLepai LP-2020A+ amplifierPolk Audio PSW10 subwooferDayton Audio B652 bookshelf speakers. Kind of Blue mono promo jacket codes 2 (NY), 4 and 6 (IN). Did the 2022 Revolver mono vinyl LP from the box set come in a stereo jacket? lacquer letter progression rapidly stops being a useful guide to the very earliest pressings. I just received my RSD numbered copy today and it has the same feel as my original pressing. Would you know which pressing that would be? Other fonts were used by printers for other plant locations. Twenty sevenlacquers of Kind of Blue were cut. Hope that helps. Create a free website or blog at WordPress.com. CBS overprint non-DG illustrated below (1962/3). I asked him about all the fuss surrounding the speed correction of the Sony releases. I'd like to thank you for all the valuable advice that I've been able to glean from your Stereophile column over the years. It got me "in the room" or studio, with the guys, where mono just did not, so I find it kind of (sorry) bizarre that, under almost any circumstance, mono would be the preferred medium where stereo is available. Alpha lacquer identifier, starting with A through to L (11 unique lettersin first cohort) then AA to AL (11 in second cohort) then BA to BL (11 in third cohort), and CA to CL thereafter. I guess I'll buy the MOFI 45RPM version as well, but now fremer got me into the MONO version. Perhaps defective, or damaged, they were never put in service. For the conversion of the signal to sound, mono sound requires one channel. Vinyl LP included is in stereo and was wondering (as a guy whos relatively new to jazz) whether Miles Davis (and any jazz record pre-1968-69) should be listened to in mono or stereo? Is that it? With copies of KoB being pressed at three or four plants, it seems likely individual plants had their own work procedures. The highest value found was 1BD for Side 1 and 1BE (27th lacquer) for Side 2. They were distributed to various plants in an arbitrary pairs,at least two laquers per plant, and those plants mixed Side 1 and Side 2 stampers from different laquers. 1A stereo is only found paired with higher value letter (e.g. Why didn't they use the orginal mono tapes? How is this done? They occur in similar offset mirrored pairs: E/K, K/E, AC/AE, AE/AC. Take that away and things work quite differently in practice. Green Dolphin Street was recorded just before the Kind of Blue sessions and features the same line up John Coltrane tenor sax, Bill Evans piano, Jimmy Cobb drums and Paul Chambers bass. . Band 1. At one point, in theearlymid60s, five plantswere in simultaneous operation, which helpsexplain whymultiple laquers were being cut to supportpressing of consistent quality at many different locations. If you listen to this audio over numerous speakers, the identical call will be replicated to each of them. Of course a major difference is stereo vs. mono. You can buy this same exact pressing for a very reasonable price just not numbered here: Miles Davis - Kind Of Blue Flippers gonna flip, I get it, but sometimes you can do something about it and maintain the same quality. Its one of my reference mono recordings that I love to pull out to demonstrate just how great mono records can be to initiate those who are new converts from digital to vinyl. In the case of Stereo, six lacquers account for half of all the copies manufactured, none of which are single alphabetic 1A to 1L. My 6 eye copy isn't a 1AJ, it's just a 1J (both sides). I believe the distortion you are hearing is the mute on Miles' trumpet. 192 / 24 stereo and 192 / 24 mono. Most but not all lacquers used to press promos (A, G,D and H) went on to be used to press the commercial release. Beyond that, you end up with any six-eyepressed between 1959 and 1963. When used as one center channel in an old school mono configuration, the sound stage/window can be rather small and wimpy, unlike live performers spread out over a real stage. Wildler and Berkowitz recently decided to do another and perhaps final 3-track KOB transfer: to DSD, to 192/24 bit PCM (and probably other resolution digital) and at the same time, a two-channel stereo and a mono mixdown to analog tape. In addition to the prefix code and job number, there would also be a number/letter combination at the end the number indicates the tape/mix used, whilst the letter refers to the lacquer used. The presence of an 1Aor 1B on one side, and a higher value on the other, is not an early mono pressing, obviously. Bridgeport (plant address: 1473 Barnum Avenue) remained in operation to the end of March 1964 (a luxury condo, called Columbia Towers, now are situated on those grounds). It is not known how many labels with the side 2 error were printed, but the presence of the Side 2 error is proof of earlypressing status 8/59 to 11/59. Free shipping for many products! Since I was just listening to this new reissue from Sony on mono, I thought I would revisit Mikey's writing about it. Another great mono is Dave Bruebeck's "Jazz In The USA.". Since 1992 there have been a number of issue of the remastered, speed-corrected, Kind of Blue on both vinyl and digital formats, although arguably never a definitive LP rendering until the release of the Music On Vinyl set reviewed here. No, by the time I got interested in old mono pressings, the price on Piper had gotten too high. The LondonJazz News Team / Contact Details, PREVIEW/ INTERVIEW: Ian Bowden, Rye Internatonal Jazz & Blues Festival, (Aug 21-25), REPORT AND PHOTOS: Gareth Williams/ Trish Clowes at the Watermill Dorking. . I'm not going to write about the modal music here. I just bought the 24/192 versions of KOB (mono and stereo) and they sound great. are they all analogue process only? Quite a lot, as it happens. Metal from 1A and 1B lacquers was still being used some years later, mix and match. Bridgeport mother/stamper process control process? Before the sacred tapes were returned the vaults, a copy of the 50th anniversary remastering was transferred to a high resolution digital file. The label correction is believed to have taken place around November 1959, on the instruction of Teo Macero (hat tip Enrico!). Reddit and its partners use cookies and similar technologies to provide you with a better experience. starbucks red cup campaign; best practice interventions debriefing; toni cornell height; shafer middle school staff; who are lester holt's parents; lift up the downtrodden meaning; I finally got the MFSL 2x45 after holding out for a later press due to reports of some early ones being off centre. plant, C and D for Terra Haute, In. Mark Wilder let Stereophile editor John Atkinson thread the reel. Or the mono tapes went missing. Mix - Miles Davis - Kind Of Blue Vinyl LP Review And Comparison What Version Is The Best Miles Davis, John Coltrane, Cannonball Adderley, and more Miles Davis - Kind Of Blue (FULL MONO LP. Enter a Crossword Clue. WiththeStereo edition, different principles seem to apply. I appreciate the help. ), the mono reissue is a necessity not an "add-on" option! Previously overlooked, there is some evidence that the distribution of promos and possibly manufacture may have been the work of more than one plant, possibly three. Don't prejudge! Ebay auctions of Kind of Blue on six-eye label over last three years where, seller identified matrix on both sides (198 commercial releases, 218 in total including twenty promos). A further four lacquers BB, BG, AL and BH, take us up to the three-quarter mark of all stereo copies manufactured. Miles Daviss spiralling, restless trumpet on Freddie Freeloader and its seesaw insinuation on All Blues, Bill Evanss delicate, meditative haiku of a piano in Flamenco Sketches, Coltranes silken, slithering tenor lament on Blue in Green, Paul Chambers low, slow heartbeat of a bass, the soft, considered percussion of Jimmy Cobbs drums and the pulsing tick of his cymbals are all immaculately rendered. And the alternate take just sounds stupendous. It was a little nondiscript record store on Lincoln Blvd. Maybe theyre in your garden shed. Can someone enlighten me as to how it works? Needle doctor even sells them. The Hollywood plant (located at 8723 Alden Drive from 1948) also closed some time in 64 when Santa Maria became fully operational., All lacquers cut are numberedin a standard matrix codeformat,stamped into the vinyl land lacquer between the grooves and label. and E and F for Pitman N.J. Six (or more) sets of lacquers were usually cut for any big-name artist, so the very first mastering would be 1A,1B,1C,1D,1E,and1F. They were only on CD or SACD at that point since vinyl was done by Classic. Has anyone compared the Sony's Miles reissues to MoFi's? BC 25th; BD 26th; BE 27th; BF 28th; BG 29th; BH 30th; Also, I've known a few people who bought one and then later upgraded when the used-record bug started biting. Barcode and Other Identifiers Barcode: 4 547366 450958 Other Versions (5 of 502) View All Recommendations Kind Of Blue Miles Davis Melbourne, Victoria. ORIGINAL! The credit on this story should be updated to correct that. It is a blue coloured record. I have several stereo copies of this record, my preference is the Classic Records1995 issue. Nor are they sold at gunpoint. I listen to critics and online commenters whose point of view I can understand. the Amazon Associates Program via amazon.com. The four variations are offset pairs eg 1D/1H and 1H/1D.With D, G and H, and each letter is found as Side 1 and Side 2. With Indianas convenient central US location, equidistant to East And West Coast, and a short distance for Illinois, it was possibly more economical to manufacture covers centrally and ship to pressing plants, but it takes some explaining why Kind of Blue promo jackets were manufactured at two locations, unless they were also being pressed at two plants Terre Haute and Bridgeport or even three, Hollywood, hence the code 6. Flamenco Sketches), US first commercial release six eye label -Stereo, Early vs later pressing Side 2 stereo initialtrack listing error. It's my understanding that the Columbia curve was only used until 1955 or there about. and we'd love to turn you on. There are reasons for this! These are the fabricator codes used by the main cover suppliers to majors, including Capitol and Columbia (information gleaned by Beatles researchers): 2 Imperial Paper Box Corp., Inc. of Brooklyn, NY To compare with MOV versions (which are stereo) you should probably compare the Mobile Fidelity versions, which are also stereo. Based in Holland, Music On Vinyl uses the Record Industry plant in Haarlem the largest surviving vinyl pressing plant in Europe and one of the top three in terms of quality, along with Pallas and Optimal in Germany. I've read similar reviews where the mono version is now their favourite version beating the Classic 200g version and the Mo-Fi 2X45. Canadian pressings, from 1954 through 1971, were pressed by Quality Records Ltd. for Columbia Records Of Canada Ltd. (You must log in or sign up to reply here. This was effectively the first identifiable pressing,running up to the August 1959 launchand during thefirst three months of sales. LP review by Andrew Cartmel). Regarding vinyl it is felt that the 2014 mono vinyl release is the sane way to go if you want the best sound up til the White album. OPENING HOURS MON-THURS: 16-00 FRI-SAT: 16-02 . 2001-2023 Head-Fi.org. 3 Modern Album of Long Island, NY I assume Mo-Fi's KOB will be the new stereo mix. The majority of 1A and 1Bmatrix pairs are found as Side 2 paired with a higher letter on Side 1 (e.g. Click here if you want this pressing without paying 4-20x retail (Come on now, you really should be ashamed of yourselves). I hate to contradict the man himself, but Flamenco Sketches is not terrible at all, Miles, in either version. The good news is that unlike "The Starry Night", there were many identical first pressings of KOB made from the first mothers.and they are much cheaper than a original Van Gogh. A few other sharp-eyed KOB sellers noted T stamps a TA/ TB permutation, and a TB/ TC permutation. (Yeah,they start with an A.) I know that there are multiple versions of Miles Davis' Kind of Blue, there are the MFSL, the original mono and stereo LPs, the 200 gram stereo remaster, and I have listened to the album on YouTube, and 256kbps isn't doing the material justice. These recordings were made in what, '59? Though many different permutations eventually occured, almost half of all mono copies were pressed from only three laquers: D, J, and AE. Complete 1st Label Reference Set: Stereo(1961-78), Prestige records labels 1951-82+overview, NY yellow/black fireworks label all titles ReferenceSet, Bergenfield black silver fireworks stereo label (1959-71) all titles ReferenceSet, Bergenfield yellow/ black fireworks label all titles ReferenceSet, NY label data table: cover and label text, etchings, for eachtitle, Prestige Research Project: Summary of Findings(preview), Prestige Collectors data collectionworksheet, Collectors Guide To The US Riversidelabel, Disques Vogue The FlintermanCollection, Tips for buying records online,successfully, Chamber of Horrors when records gowrong, US pressing plant stamps and otheridentifiers, LJC record photography and vinyl rippingclass, High Fidelity, Decline of the Decades: PeterQvortrup. They're very impressive for mono recordings. I'd stick with the stereo, that's the version everyone raves about. It has been lost and missing from the Columbia vaults for a very LONG, LONG time. Is it the same as Columbia/Sony? There are pictures of some of the models as well. What happened? A 1st cutting; B 2nd; C 3rd; D 4th;E 5th; F 6th; Stereo has always been the superior choice for me. http://www.analogplanet.com/content/miles-davis-kind-blue-monophonic-reissue-sonylegacy-analog-planet-exclusive. There is only one Mona Lisa and there is only one "The Starry Night".you may really like you're reproduction or lithograph, you can argue it's pros and cons over other versions, but just know it's not the original. The track sequence error remained on the jacket in perpetuity. (After completing the second take, which is the one used on the album, Miles Davis reportedly turned to the producer Irving Townsend and said, That was terrible, Irving.). "Scarborough Fair" sounds better in mono, but the rest of the "PSRT" album is killer in stereo. Evidenced by the Side 2 track-listing error, mono lacquers A, B, C and D (any onboth sides)were used in the first pressingrun, together with a small number of others: a minorityof D1/D1 copies had the track list error, and one 1H/1D (1H lacquer used also for promo) was found with the erroneous label, though there may be others. http://www.musiconvinyl.com/catalog/miles-davis/kind-of-blue-mono#more, Question about Music on vinyl and Columbia/sony legacy, the speed "error" situation.is not an error or oversight. The tracklisting sequence error went uncorrected on the jacket for a further three decades, though some sellers confuse the label error and the cover error suggest the error on the cover is somehow proof of original provenance. Complete 1st Pressing Label Reference Set: Mono(1961-8), Impulse! I am afraid I agree entirely. From then until an October 30, 1958 Art Blakey session, Rudy simultaneously ran both mono and stereo session tapes. Or at least I didn't see them. Affiliate programs and That evidence is the Cover Fabricator Code found on the bottom right corner of the jackets accompanying promos. The original recording sessions for Kind of Blue took place at the Columbia 30th Street Studios in Manhattan, nicknamed the Church, in March and April 1959. Stampers had a limited life of maybe around 4,000 pressings, well within the range of promo requirements, fits with one-plant theory, and distributed manufacture counter-theory. The mysteryis the missing lacquers the nextletters which never appear on any side of any monocopy of Kind of Blue: E, F, K andL. None appear in the auctions sampleor the reader survey. The stereo is better seperated. The stereo releases from 1959 to 1992 had the songs on side-A slightly sharp in pitch. Columbia was a major, not the sort of small operator that would use up wrong labels to save money. Unfortunately, the Kind of Blue mono master tape no longer exists. But sometimes a new remaster can bring new life to old records, yes even a better sound, especially for the bass and drums, yet, what came out in the later fifties and early sixties almost can't be beat. Well.the mono has been the rarest version of Kind of Blue. The Music On Vinyl label turns out beautifully packaged LP reissues on high quality vinyl. Give me a rest from dissecting records. Surely you've read enough about how it dispensed with chord changes (etc.) The earliestpressing of stereo six eyeis I believe stereo promos (E, K, AC, and AE),some other rare single alpha (1E and 1H) andsome 1AA and 1AC which also have the Side 2 track-listing error most of them do not. And it makes sense in local marketing expertise: getting promos to their local radio station disk jockeys. http://www.musiconvinyl.com/catalog/miles-davis/kind-of-blue-mono#more. You may ask how a perfectionist like Miles Davis or one of the other members of the band did not notice the pitch shift. This coming Record Store Day, November 29th, the label will release on vinyl. It looks like all of these were mixed at 24/192k (not in the analog domain). I don't know a lot about record store day. Ron Rambach and I get these comments all the time on our Blue Note reissues for Music Matters Jazz. It has cleverly placed itself between the high-end audiophile labels, whose LPs can be very pricey, and the cheap low-end labels, whose noisy pressings can sound like bacon frying. It's probably the best selling jazz album ever, and like Pink Floyd's Dark Side of the Moon is likely to remain in print forever. Any recuts would be the next higher number for that plant. Apparently it is the one that Miles Davis actually approved and gave input on. The very few commercial mono copies were found with matrix codes in the range 1A to 1C on both sides (five records only in the sample, they are very rare), all had the Side 2 track-list error. Controversial in some quarters, but I agree. Unfortunately for vinyl fans, there were reportedly widespread problems with the vinyl, thanks to poor, noisy pressings. a bar in Copenhagen. I've inherited more than a few LPs that are "reprocessed stereo" or "electronically enhanced for stereo effect" and other words to that effect. Dylan and The Beatles were far more interested in the mono mixes because they knew that's how most fans would be listening at home and especially on the radio. The matrix code on stereo promo auctions found are: Similar to mono, stereo promos were found in four combinations of offset letter pairs, unique letters are E, K, AC and AE; each found as side 1 and side 2, but never mixed eg there is no 1E/1AC or 1K/AE. Flamenco Sketches was wrongly listed as the first track, and All Blues as the second. Macero wasn't even in the same time zone during the second KoB session; he was in LA producing Dave Brubeck's Gone With The Wind, his first production. The 50th Anniversary issue is a pretty blue color! I picked it up about six months ago and like it a lot. Columbia went down the letters to a certain point and then started double letters (AJ) so I'd say that was fairly early. I suppose that is a personal preference. Columbia/Sony Legacy CL-1355 (88883761031) 180g mono LP, Mixed by: Mark Wilder/Steve Berkowitz (this reissue), Mastered by: Ryan K. Smith at Sterling Sound, Over the past few Record Store Days Sony/Legacy has slowly been rolling out on 180g vinyl much of the Miles Davis catalog, mastered from original analog tapes. Even more amazing that no one has taken on a project to "clean it up", or to maybe offer a cleaned and an uncleaned version side by side, so as to appease the purists. Is there some mixing advantage of putting the 3 tracks into one channel instead of two ? Most Columbia pressings have asymmetrical non-sequential pairings, such as 1D/1AC. I purchased one of the Dino-Lite USB microscopes and intend on using it to see how well my RCM is working. The Music On Vinyl Kind of Blue is indeed a deluxe package which offers considerable bang for the buck. no I don't) are now in very poor condition even though they sat untouched in the vault from 1959 until 1992. For years, I used to think it was a bad left channel speaker in my system. Enter the length or pattern for better results. I was thinking about the 2x180g version by classic records, can anyone comment about the sound and QC on that one ? And Crosley, maker of the cheap, groove chewing turntables is a participant. Luckily for vinyl fans, the story doesnt end there. 4 Imperial Packing Co., Inc. of Indianapolis, IN I've got several of the Wilder/Sony Miles Davis mono RSD 180g remasters and I'mveryimpressed with them. Kind of Blue est un album de jazz de Miles Davis sorti le 17 aot 1959 sur le label Columbia Records (rfrenc CL 1355).Il a t enregistr la mme anne, du 2 mars au 22 avril New York. You might find this review informative: Now not quite so "new" to Head-Fi but not new to headphones, audio, music and especially jazz. Each lacquer is merely one cutting from the first master tape mix, all manufactured at the same time. 1B/1B, 1B/1C, 1B/1E, 1B/1H, 1B/1J, 1C/1D, 1C/1F, 1C/1G, 1C/1H, 1C/1J, 1D/1AC, 1D/1D, 1D/1E, 1E/1D, 1G/1H, 1H/1L, 1J/1B 1AA/1F, 1AA/1G, 1AD/1AF, 1AE/1AG. Check out www.recordstoreday.com. Guess I know what I'll be treating myself to. Not just the . this can result in this site earning a commission. HARRY T BOOKER Mister Is Blue MONO/STEREO 45 Promo Rare Soul WB. Miles Davis "Kind of Blue" Monophonic Reissue From Sony/Legacy: An Analog Planet Exclusive! There must be a mechanical reason why they are mostly though not always offset mirrored pairs (Side 1 stamper from one lacquer, side 2 stamper from another lacquer)and not symmetrical pairs (e.g.1E/1E), possibly to run two presses simultaneously, or to ensure metal sets from each lacquer wear equally, but that is for another day. Sorry, guys. Mostauction copieshave the corrected Side 2 label, but some sellers claim theirs isan original first pressing, simply because it is a Six-Eye label. Bonus enjoyment if you have a 5.1 setup. Whilst metal was strictly process controlled, it seems there was much greater latitude in printing, with different fonts and discretionary compositing decisions e.g. the site simply writes whatever their advertisers tells them to, so just follow the recommendations given by your fellow forum members. So can anyone recommend me which versions should I own ? Although for current mono reissues they are using the stereo fold down because the mono original is lost. You must log in or register to reply here. 2011 Vinyl LP Not Now / NOT2LP145 Kind of . It amazes me that so few hear or recognize the distortion present throughout, especially on So What. It exists! The Sony reissues are louder than their MoFi counterparts. Is there any evidence to indicate that the mono was mixed from the same 3-track tape as the stereo? This is relevant to this thread because I'd like to pick up the Sony release of KOB. Why introduce a new lacquer 1AL when 1A is still capable of churning out acceptable quality pressings? That is 100,000 albums per lacquer. My dad put aside a copy of the Kind of Blue 50th anniversary box set for me recently. When stereo appeared, I was overwhelmed (pace the ping pong crap). Unfortunaltely everyone is issuing the same LP's and no does a review comparing them all. As mentioned before, I noticed the same "rightness" on RCA's mono vinyl of Belafone at Carnegie Hall. And sometimes each version has its own equally attractive but different qualities.
. I have other old mono records (e.g. Kind of Blue, an Album by Miles Davis. Find many great new & used options and get the best deals for Miles Davis Kind of Blue (CD) Mono & Stereo Collector's Album (US IMPORT) at the best online prices at eBay! The four monos I have vary from Poor to VG. G 7th; H 8th; J 9th; K 10th; L 11th;AA 12th; Unanswered Question Conventional Wisdom does not explaintheasymmetrical pairing is Side 1 and Side2 lacquers. When Sony announced the RSD release I assumed it would be similar to how they rolled out Milestones and Round About Midnight (a few months after)? I'm not extremely happy with the MOFI pressing that I bought recently. 1D/1H, 1H/1D, 1D/1G, 1G/1D, no other letters were found. Only the letters A to L were used, excluding I: A 1st cutting; B 2nd; C 3rd; D 4th; E 5th; F 6th; G 7th; H 8th; J 9th; K 10th; L 11th; AA 12th; AB 13th; AC 14th; AD 15h etc -.
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